Quatre Quarts is een tentoonstelling die voortkomt uit de hechte, jarenlange vriendschap tussen Shay Amitai, Nina Versporten, Jonas Van der Haegen en Tara Roelens. De vier vrienden, die hun artistieke levenspad al lange tijd delen, vieren dit bijzondere moment samen met een gezamenlijke expositie.
Vrij 22 nov van 19h tot 22h
Za 23 nov van 12h tot 22h
Zo 24 nov van 12h tot 18h
Shay Amitai (1996)
Shay Amitai is a visual artist. Her work centers around family, a sense of absence of a subject or an object and the stretching distance between loved ones. She uses elements of her personal life as a form of roots to narrate encompassing stories.
Amitai is working in a playful way about sensitive and emotional topics. She experiments with different ways of telling stories as in books and installations. Her photographic work is recognizable by her use of bright colors combined with tenderly black and white images, text, textile, collage and textures.
Nina Versporten (1996)
Nina Versporten is inspired by movement, animals, still lifes, and the human body. Starting from sketches, she translates these subjects into paintings, where repetition and variation play a central role. She combines the gracefulness of dance with playfulness, exploring how bodies and shapes relate to one another.
Jonas Van der Haegen (1996)
Jonas Van der Haegen’s artistic practice centers around a deep exploration of emotional and aesthetic complexity. His work is characterized by a meticulous curation of visual elements, often delving into themes such as intimacy, melancholy, and the nuances of human physicality. By using color and form as vehicles for expression, Jonas creates an immersive experience that transcends the purely visual, inviting viewers into a contemplative space that resonates with emotional depth.
His approach to color, akin to the work of Mark Rothko, goes beyond surface aesthetics, drawing the audience into a metaphysical dialogue with the themes of his work. The chromatic interplay within his pieces challenges viewers to engage in a personal reflection, where each shade and contrast holds potential meaning. Additionally, the publication of his work in book form provides another layer of interpretation, offering space for further analysis and contextualization of the sensual and transcendent aspects of his art.
Tara Roelens (1997)
Tara Roelens’ work centers on memories and nostalgia, using photography and culinary elements to breathe life into recollections. She delves into how the past can be reawakened, capturing the ephemeral nature of memory and transforming it into something tangible and vivid.
Incorporating archival themes and materials, Roelens enriches her exploration by grounding her work in layers of the past, adding depth to her pursuit of reliving and preserving moments otherwise lost to time.